![]() ![]() Soon, Hockney and the 59 Productions team were emailing ideas for the show back and forth. At that moment, he added, he knew that he wanted to work on the project. Hockney doodled away, drawing trees and houses and filling the bleak concrete space with swaths of color. Then a technician gave Hockney an electronic stylus connected to the projection system so that he could sketch onto the walls with light. Some of the projections were 20 feet high and 100 feet long. ![]() Grimmer’s team beamed several Hockney paintings, including “ Mulholland Drive: The Road to the Studio,” a 1980 panorama of the Santa Monica Mountains, onto the walls of a former printing-press building in eye-popping color. In February 2020, Grimmer invited Hockney to see for himself how the projection technology worked. ![]()
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